Il 29 dicembre a Firenze

sabato 29 dicembre 2007 ore 17.30
il Centro Culturale




di Giulio Marzaioli
di Alfredo Anzellini

Via Guelfa 22/A rosso 50129 Firenze
tel. 055.2654093 – fax 055.283101

bina 70

esce ora “bina” 70, con un testo inedito di Gianluca Gigliozzi.

la lettera, aperta e (a)periodica, è gratuita e arriva nelle cassette di posta elettronica.

chi vuole abbonarsi non deve far altro che indirizzare una richiesta a bina_posta [at] oppure a bina.posta [at]


n.b.: noto che alcuni invii a email dell’indirizzario di “bina” non vanno a buon fine: chi ha cambiato account di posta elettronica può comunicarlo alle caselle sopra indicate


glory that was gin tribes 2 historical materialism process of mutual recognition

such an attempt, however, is bound to fail

a > TRIBE BOARD > TRIBE General Stuff. Reload this

i take london, i leave france, ost.php?p=97329
ditto has a sense of humour. ... Syr] orth horea in 19[M]ay
get around blocked
150 Scud-C missiles
150 Scud-C dolls dcc754cb/b
-14-2007 silent winter >>>> >>> >>> rom N91
batteries in the field


these people cheered universe as an inconsistent

local favorites; - miscellaneous

& turn off yer shooting R p. 92, ß179

pissalva in a binary oppo$ition
trimmed mustache and muscular build *~*~--="URBAN REVIVAL"

s » Be ۞ ief1.tri

this account seems to misunderstand: we distinguish this being-for-another
from hegel’s notion of ‘absolute mind’ desiderata

we can easily ♪ȿѺunderstand the term ‘science’:

pure, abstract being

downloadable here

Two questions to Jukka-Pekka Kervinen


Q.: I think that your nickname “asemic” (in is perfect to explain your strategy of accumulation=disintegration of signs (not “meanings”) through multiple exposures, textblocks, and multiple blogs/opus. I believe you hit the spot of the dissipation/multiplicity we are crossing. (Where “to cross” is something like a radioactive kind of “to stay”).

A.: You’re right with accumulation=disintegration strategy, it is very much of that, not meanings, at least on my side. I leave them to reader/viewer/listener. I’ve many strategies with my works, most often I’m involved with ‘controlled indeterminacy’ (a term coined from American composer John Myhill), it is not any specific technique, for me it is the way to control chance, aleatoric control, if it is possible to control at all. But it is everywhere in my life, if not intentional, then subconscious. And if I find it lacks, I add it. With or without computers.

Q.: What about GAMMM’s opebs, “one page e-books”? And what about your opeb’s title, ow oom?

A.: I like this idea of one page works, I’m interested of things which contain restrictions… ow oom is just sounds, but as we always do, we see it as words, each of us differently. Mine was first ‘owl room’, then ‘cow doom’, ‘own boom’ etc …


mg, from gammm